As photographic film continues its inexorable decline to the status of quaint, if not forgotten, technology, I offer this example demonstrating one of its often-derided properties: grain. If you follow home video fora, you'll see many who think it's something to be minimized if not expunged entirely. Of course, grain is why there is an image in the first place. I think the heavy grain structure in this 35mm Kodacolor 1000 negative I shot in 1985 lends a rather painterly quality, especially viewed full-size. The flatironish building in the center is San Francisco's Columbus Tower, aka the Sentinel Building, begun a year before the earthquake and completed a year later in 1907. Since 1970, it's been the headquarters of Francis Ford Coppola's American Zoetrope studio; The Godfather
was edited and sound- mixed here. Also,
an M-body Chrysler Fifth Avenue taxi.
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