The Shorpy Archive
 
6000+ fine-art prints suitable for framing. Desk-size to sofa-size and larger, on archival paper or canvas.
 
Join and Share

 
Social Shorpy

To love him is to like him. Our goal: 100k "likes":

 
Syndicate content
Syndicate content
Syndicate content
Daily e-mail updates:

 
 
 
 
Member Photos


Photos submitted by Shorpy members.

 
Colorized Photos


Colorized photos submitted by members.

 
About the Photos

Our holdings include hundreds of glass and film negatives/transparencies that we've scanned ourselves; in addition, many other photos on this site were extracted from reference images (high-resolution tiffs) in the Library of Congress research archive. (To query the database click here.) They are adjusted, restored and reworked by your webmaster in accordance with his aesthetic sensibilities before being downsized and turned into the jpegs you see here. All of these images (including "derivative works") are protected by copyright laws of the United States and other jurisdictions and may not be sold, reproduced or otherwise used for commercial purposes without permission.

WEB SITE & CONTENTS
© 2014 SHORPY INC.

[REV 25-NOV-2014]

 
 
JUMP TO PAGE   100  >  200  >  300  >  400  >  500  >  600
VINTAGRAPH • WPA • WWII • CARNAVAL EN LA HABANA, 1941

A Dark Chapter, in Color

A Dark Chapter, in Color

Maybe seeing a scene from the slavery era in color will remind us of how very real those times were. Here's my concept of how this scene might have looked.

A marvelous job with a tough image.

Nicely done. Georgia dirt is nearly impossible to colorize (at least for me). It comes in all sorts of shades from bright red to orange to brown – and it changes color based on moisture and heat. At times – like in the dry fall months when this was taken – it dries to a very light –almost white - brown (like baked clay). In reality, the signs and wood would have been nearly devoid of pigment. By the summer of 1864 the south – poor in the best of times – had been existing under the most severe privation and these buildings had been neither painted nor whitewashed in many years. The wood would have been a dark, weathered grey. The brick building at the far right is the Concert Hall, and it sat right up against the main line of the railroads. Years of steam and southern humidity would have made the 365-days-a-year of heavy smoke and pine soot penetrate every crevice of the masonry. The mildew is a nice touch. (I really don’t mean to be critical at all; you’ve done a marvelous job with a tough image.)

Newsletter

> Mike Brown, sure you can use this photo in your
> newsletter, if it's OK with Dave. I'd like to
> see it when it's published. Is there any way I can?

Most of our members get it in PDF form, so it'll be easy. E-mail your address to wb2jwd@htva.net, and I'll be happy to send it along.

Thanks

Palm Springs John, I never considered that the street dirt should be clay-colored. I've changed it and replace the photo with the upgraded version. Is this more accurate? Too much red? I don't live in the South, so let me know if it's accurate yet.

Mike Brown, sure you can use this photo in your newsletter, if it's OK with Dave. I'd like to see it when it's published. Is there any way I can?

Thanks for your comments.

You know what they say --

"Those who do not remember the pastel are condemned to repeat it."

Seems so immediate

Exceptional work again, Fredric. The well chosen colors make the past seem so much more immediate, to color-accustomed eyes.

(Before photography, did anyone dream in black and white?)

Amazing!

I agree completely. When you look at old black and white photographs it's hard to believe we are seeing scenes from the past that were once completely real and colorful and full of life. It's like seeing an old movie; one tends to believe that "old timers" lived in black and white only, or that their presence is in some level unreal, as false and fictitious as the strange grayscale we see on the scene.

But things change dramatically when you see the same scene in full color! Suddenly the old, impersonal buildings and streets come to life, speaking to the viewer of a circumstance and a period of time that, its antiqueness notwhistanding, is as real as our current cotidianity. The bizarre, Kafkaesque scene becomes human again; the buildings stop being props or mere silhouettes and become the work of men; and the ads and messages painted on their walls speak again of the reality current when the photo was taken. We are transported in time; our eyes are privileged to see a scene that had not been truly seen by anyone in over 140 years. You see the scene and wonder: how different will things be 140 years from now? How our great-grandchildren react when they see a plain, two-dimensional image of our era? will they be awed by the simple little facts of daily life captured in that image, will they have the same sentiment of longing we experience at seeing this old relics of a bygone past?

What more to say? An excellent job, definitely blends artistic ability with technological improvements. Thank you very much for sharing it with us!

Beautiful work!

Seems very real; especially the stained and moldy wood and brick sidings; North facing I suspect. Having lived in Atlanta for many years, I think the dirt streets might be a touch more orange in color due the red clay so ever present in Georgia. Great job!

Great Work

It's amazing how the fact that all Civil War photography was black and white makes the era seem less real. I have seen CW pictures which were hand-painted in the 19th century, and they still have that unreal look, not at all like modern colorization.

May I have permission to use this image in our local Civil War Roundtable newsletter?

Up above...

I love the trompe l'oeil.

 
THE 100-YEAR-OLD PHOTO BLOG
Shorpy.com | History in HD is a vintage photo blog featuring thousands of high-definition images from the 1850s to 1950s. The site is named after Shorpy Higginbotham, a teenage coal miner who lived 100 years ago.

Syndicate content RSS | Contact Us | Privacy Policy | Photo Use | © 2014 Shorpy Inc.