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Sunday School: 1937

1937. Sunday School at Penderlea Farms, a Resettlement Administration project in North Carolina. View full size. 35mm nitrate negative by Ben Shahn.

1937. Sunday School at Penderlea Farms, a Resettlement Administration project in North Carolina. View full size. 35mm nitrate negative by Ben Shahn.

 

Organ Transplant: 1937

February 1937. "An organ deposited by the flood on a farm near Mount Vernon, Indiana." View full size. 5x7 safety negative by Russell Lee for the FSA.

February 1937. "An organ deposited by the flood on a farm near Mount Vernon, Indiana." View full size. 5x7 safety negative by Russell Lee for the FSA.

 

Wright Whirlwind: 1942

August 1942. Mechanic Mary Josephine Farley works on a Wright Whirlwind motor in the Corpus Christi, Texas, Naval Air Base assembly and repairs shop. View full size. 4x5 Kodachrome transparency by Howard R. Hollem.

August 1942. Mechanic Mary Josephine Farley works on a Wright Whirlwind motor in the Corpus Christi, Texas, Naval Air Base assembly and repairs shop. View full size. 4x5 Kodachrome transparency by Howard R. Hollem.

 

Clarence and Alonzo: 1900

Clarence "Grandpa" Liv and Alonzo "Teddy" Tucker behind the Wright Cycle Company on West Third Street in Dayton, Ohio, circa 1897-1901. 4x5 dry-plate glass negative by Wilbur and/or Orville Wright. View full size.

Clarence "Grandpa" Liv and Alonzo "Teddy" Tucker behind the Wright Cycle Company on West Third Street in Dayton, Ohio, circa 1897-1901. 4x5 dry-plate glass negative by Wilbur and/or Orville Wright. View full size.

 

The Organ Grinder: 1910

An organ grinder on the streets of New York's Lower East Side circa 1910. 5x7 glass negative, George Grantham Bain Collection. View full size.

An organ grinder on the streets of New York's Lower East Side circa 1910. 5x7 glass negative, George Grantham Bain Collection. View full size.

 

Welcome to St. Augustine: 1865

A street in St. Augustine, Florida, circa 1865. View full size. Left half of a wet-collodion glass-plate stereograph made by Samuel A. Cooley.

A street in St. Augustine, Florida, circa 1865. View full size. Left half of a wet-collodion glass-plate stereograph made by Samuel A. Cooley.

 

Going Nowhere: 1865

Wagon tracks and gate in St. Augustine, Florida, circa 1865. View full size. Left half of a wet-collodion glass-plate stereograph made by Samuel A. Cooley.

Wagon tracks and gate in St. Augustine, Florida, circa 1865. View full size. Left half of a wet-collodion glass-plate stereograph made by Samuel A. Cooley.

 

Looking Back: 1865

A St. Augustine, Florida, street view circa 1865. View full size. Left half of a wet-collodion glass-plate stereograph made by Samuel A. Cooley.

A St. Augustine, Florida, street view circa 1865. View full size. Left half of a wet-collodion glass-plate stereograph made by Samuel A. Cooley.

 

Old, Old Glory: 1865

1865. Vicinity of Charleston, South Carolina. Interior view of Fort Johnson on Morris Island. View full size. Half of a wet-collodion glass-plate stereograph.

1865. Vicinity of Charleston, South Carolina. Interior view of Fort Johnson on Morris Island. View full size. Half of a wet-collodion glass-plate stereograph.

 

Water Tower: 1865

1865. "Savannah, Georgia. The reservoir." View full size. Right half of a wet-collodion glass-plate stereograph made by Samuel A. Cooley.

1865. "Savannah, Georgia. The reservoir." View full size. Right half of a wet-collodion glass-plate stereograph made by Samuel A. Cooley.

 

Silent Now: 1865

1865. Charleston Harbor, South Carolina. View from the parapet of Fort Sumter. View full size. Left half of a wet-collodion glass-plate stereograph.

1865. Charleston Harbor, South Carolina. View from the parapet of Fort Sumter. View full size. Left half of a wet-collodion glass-plate stereograph.

 

After the Bombardment: 1865

1865. "Charleston, South Carolina, after the bombardment. Meeting Street, looking south, showing St. Michael's Church, the Mills house and ruins of the Circular Church." View full size. Wet-collodion glass-plate stereograph.

1865. "Charleston, South Carolina, after the bombardment. Meeting Street, looking south, showing St. Michael's Church, the Mills house and ruins of the Circular Church." View full size. Wet-collodion glass-plate stereograph.

 

Eight Till Noon: 1865

1865. "Charleston, South Carolina. Meeting Street, near Broad; St. Michael's Church in middle distance. Photograph of the Federal Navy, and seaborne expeditions against the Atlantic Coast of the Confederacy." View full size. Left half of a wet-collodion glass-plate stereograph. Juniper Gallery fine-art print.

1865. "Charleston, South Carolina. Meeting Street, near Broad; St. Michael's Church in middle distance. Photograph of the Federal Navy, and seaborne expeditions against the Atlantic Coast of the Confederacy." View full size. Left half of a wet-collodion glass-plate stereograph. Juniper Gallery fine-art print.

 

Orange and Blue: 1943

March 1943. Sorting oranges at the co-op citrus packing plant in Redlands, California. View full size. 4x5 Kodachrome transparency taken by Jack Delano during his Santa Fe rail journey from Chicago to California.

March 1943. Sorting oranges at the co-op citrus packing plant in Redlands, California. View full size. 4x5 Kodachrome transparency taken by Jack Delano during his Santa Fe rail journey from Chicago to California.

 

Fort Sumter: 1865

1865. "Charleston, South Carolina. Interior of Fort Sumter, with gabion reinforcements. Photograph of the Federal Navy, and seaborne expeditions against the Atlantic Coast of the Confederacy." View full size. Left half of a wet-collodion glass-plate stereograph. Now a Juniper Gallery fine-art print.

1865. "Charleston, South Carolina. Interior of Fort Sumter, with gabion reinforcements. Photograph of the Federal Navy, and seaborne expeditions against the Atlantic Coast of the Confederacy." View full size. Left half of a wet-collodion glass-plate stereograph. Now a Juniper Gallery fine-art print.

 
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