SHORPY Historic Photo Archive & Fine-Art Prints
 
 
The Shorpy Archive
 
6000+ fine-art prints suitable for framing. Desk-size to sofa-size and larger, on archival paper or canvas.
 
Join and Share

 
Social Shorpy

  
Syndicate content
Syndicate content
Syndicate content
Daily e-mail updates:

 
 
 

 
Member Photos


Photos submitted by Shorpy members.

 
Colorized Photos


Colorized photos submitted by members.

 
About the Photos

Our holdings include hundreds of glass and film negatives/transparencies that we've scanned ourselves; in addition, many other photos on this site were extracted from reference images (high-resolution tiffs) in the Library of Congress research archive. (To query the database click here.) They are adjusted, restored and reworked by your webmaster in accordance with his aesthetic sensibilities before being downsized and turned into the jpegs you see here. All of these images (including "derivative works") are protected by copyright laws of the United States and other jurisdictions and may not be sold, reproduced or otherwise used for commercial purposes without permission.

WEB SITE & CONTENTS
© 2018 SHORPY INC.

[REV 25-NOV-2014]

 
 
JUMP TO PAGE   100  >  200  >  300  >  400  >  500  >  600
VINTAGRAPH • WPA • WWII • TO FINLAND WITH ME, 1950

Masques de Guerre: 1918

Masques de Guerre: 1918

August 1918. "Mutiles. Paris, France. Masks showing different stages in the work done by Mrs. Anna Coleman Ladd of the American Red Cross for soldiers whose faces have been mutilated in the war. The upper row shows casts taken from the faces as they actually are, the lower row shows the faces which Mrs. Ladd has modelled on the foundation of the life mask with the help of photographs taken before the wound was received & on the table may be seen some of the final masks made for fit over the disfigured part of the face & colored as exactly as possible like life." 5x7 glass negative by Henri A. Coles for the ANRC. View full size.

 
On Shorpy:
Today's Top 5

Face cases

"The first morning [at the French base hospital] an officer came in to visit a friend; his face was entirely swathed in bandages, with gaps left for his breathing and his eyes. He had been like that for two years, and looked like a leper. When he spoke he made hollow noises. His nose and lower jaw and been torn away by an exploding shell. Little by little, with infinite skill, by the grafting of bone and flesh, his face was being built up. Could any surgery be more merciful?

"In the days that followed I saw several of these masked men. The worse cases were not allowed to walk about. The ones I saw were invariably dressed with the most scrupulous care in the smartest uniforms, Sam Browns polished and buttons shining. They had hope, and took a pride in themselves – a splendid sign!

"Perhaps you ask why the face-cases should be kept in France. I was not told, but I can guess – because they dread going back to England to their girls until they've got rid of their disfigurements. So for two years through their bandages they watch the train pull out for Blighty, while the damage which was done them in the fragment of a second is repaired."

-- From "The Glory of the Trenches," by Lieutenant Coningsby Dawson, Canadian Field Artillery, 1918.

Trench warfare

Serious wounds to the head and face were not uncommon during the First World War, particularly on the Western Front where grueling trench warfare slogged on for years. Soldiers who peeked over the top of the trench were often picked off by snipers on the opposing side.

Head wounds were often fatal but facial wounds frequently resulted in terrible disfiguremrnt. In the days before plastic surgery was common, masks like these made it possible for a wounded veteran to appear in public without being stared at.

For the full story, the Smithsonian Magazine has a fascinating and detailed article on Anna Coleman and her labor of love in its archives.

 
SHORPY HISTORICAL PHOTO ARCHIVE
Shorpy.com | History in HD is a vintage photo archive featuring thousands of high-definition images from the 1850s to 1960s. (Available as fine-art prints from the Shorpy Archive.) The site is named after Shorpy Higginbotham, a teenage coal miner who lived 100 years ago.

Syndicate content RSS | Contact Us | Privacy Policy | Photo Use | © 2018 Shorpy Inc.
sphere