Our holdings include hundreds of glass and film negatives/transparencies that we've scanned ourselves; in addition, many other photos on this site were extracted from reference images (high-resolution tiffs) in the Library of Congress research archive. (To query the database click here.) They are adjusted, restored and reworked by your webmaster in accordance with his aesthetic sensibilities before being downsized and turned into the jpegs you see here. All of these images (including "derivative works") are protected by copyright laws of the United States and other jurisdictions and may not be sold, reproduced or otherwise used for commercial purposes without permission.
Vintage photos of:
November 1913. Beaumont, Texas. "Hard work and dangerous. River-boy Lyman Frugia poles the heavy logs into the incline that takes them up to the mill. It is not only hard work, but he is exposed to all kinds of weather and is dangerous too. Said he is 14 years old, has worked here several months, gets one dollar a day. Miller & Vidor Lumber Company." View full size. Photo by Lewis Wickes Hine.
New York, July 22, 1918. "B.V.D. Valentine." The family at an American Red Cross event. George Grantham Bain Collection glass negative. View full size.
Proof positive that my brother and I both fell victim to a similar strange mania at the age of 18. Here, in 1955, a senior in high school and fooling around with his newly-acquired Lordox 35mm camera, he snapped this Kodachrome self-portrait at his desk in our bedroom. Nine years later when I was 18, I shot my records, including the same Shostakovich album, spread out in our living room, as seen here. By that time, "I Like Jazz," a Columbia Records sampler, was no longer around. Posted with my brother's kind acquiescence. View full size.
This is me on a swing at a motel in either Maryland or Delaware sometime in the mid-1970s. It was likely taken by my father, whose shadow appears in the photo, too. I really like this photo -- the sun, the motel architecture (is that an oxymoron?), the photographer's shadow, and especially the red and white pool umbrella. Doesn't it all just scream 1970s? View full size.