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- Baldwin 62303
- Baldwin VO-1000
- Cold
- No expense spared
- Tough Guys
- Lost in Toyland
- And without gloves
- If I were a blindfolded time traveler
- Smoke Consumer Also Cooks
- Oh that stove!
- Possibly still there?
- What?!?
- $100 Reward
- Freeze Frame
- Texas Flyer wanted
- Just a Year Too Soon
- WWII -- Replacing men with women at the railroad crossing.
- Yes, Icing
- You kids drive me nuts!
- NOT An Easy Job
- I wonder
- Just add window boxes
- Icing Platform?
- Indiana Harbor Belt abides
- Freezing haze
- Corrections (for those who care)
- C&NW at Nelson
- Fallen Flags
- A dangerous job made worse
- Water Stop
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American Splendor: 1955
March 30, 1955. "Fontainebleau Hotel, Miami Beach. General view of lobby. Morris Lapidus, architect." Gottscho-Schleisner photo. View full size.
The Streets of Miami
I'm guessing this is the same place that Allan Sherman mentioned in his song "The Streets of Miami". "I'm going to the Fontainebleau / Pardner, it's mod'ner."
Best of both worlds
This lobby manages to be elegant and sophisticated yet tacky and cheesy. I like it and I don't.
Clearly a Staged Photo
No ashtrays. (Well, maybe one -- see if you can find it).
Goal
Lapidus always tried to make ordinary visitors feel extraordinary. He wanted the guests to feel like a Cary Grant or a Grace Kelly while they were in this hotel. To transport them to someplace 'special' and well removed from their normal lives.
And the title of the architect's autobiography is
"Too Much Is Never Enough," by Morris Lapidus (1996). This is a sly reference to the motto attributed to Ludwig Mies van der Rohe, "Less is more" (even though he never actually said that, in English or in German).
Tres classy
All those Roman statues and busts make me want to drink tea with my pinky sticking straight out.
Opulent Extravaganza
If you thinks the lobby was something, take a gander at the building itself. A midcentury postcard is attached.
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